Here's the first verse:
Operator, oh, could you help me place this callAnd the second verse:
See, the number on the match book is old and faded
She's living in LA
With my best, old ex-friend Ray
Guy she said she knew well and sometimes hated
Operator, oh, could you help me place this callIn the first two verses, the last line rhymes with the second line ("faded"/"hated" and "gave me"/"save me"), but in the third verse, the lyrics that would rhyme aren't there:
‘Cause I can’t read the number that you just gave me
There’s something in my eyes
You know it happens every time
I think about the love that I thought would save me
Operator, well let's forget about this callIf you're just reading the lyrics, you might be struck with the fact that this last verse doesn't hold to the format instituted by the first and followed by the second (that is, that there's nothing to rhyme with "talk to") and then just keep reading. But if you're listening to it, you're forced to confront the absence of those lyrics because there are a few seconds devoid of vocals. Unlike reading, the recording of the song plays out in a fixed duration, which makes that absence blatantly obvious. Additionally, the articulation of "you can keep the dime" is different from that of the other two verses' corresponding lines.
There's no one there I really wanted to talk to
Thank you for your time
Oh, you've been so much more than kind
You can keep the dime [*absent lyrics*]
In typing out the lyrics, I've noticed another way in which this is a great omission. The caller eventually decides that he doesn't want to complete his call, and that's reflected in the lyrics - there's no rhyme for "talk to." His initiation of a conversation isn't completed, and neither are the lyrics pertaining to it.