"Starlight"
I've had this album for years (it was actually the first original ELO album I got), but it wasn't until this morning that I deciphered the line "You've gotta stop" in "Starlight." Had I noticed that sooner, I probably would have understood long ago that there's a musical/lyrical connection there. After "You've gotta stop," the music stops before the lyric continues with "Foolin' around."
"Big Wheels"
There's a musical connection between "Big Wheels" and "Steppin' Out." After some measures of tied whole notes, the bass part in "Steppin' Out" has this figure:
(click here for a larger image)
I use the MIDI component of my digital audio workstation to make these examples of notation, and where I would have tied a half note and a dotted quarter note, it put two dots on a half note. I guess it ends up with the same value, but I haven't seen double-dotted notes anywhere else.
When the bass part finally starts in "Big Wheels," every other measure has the same rhythm as that in the bass part in "Steppin' Out." The phrase also alternates between fourths, although here it's a semi-tone higher:
(click here for a larger image)
---
Both of those last two things make the album more coherent.
I use the MIDI component of my digital audio workstation to make these examples of notation, and where I would have tied a half note and a dotted quarter note, it put two dots on a half note. I guess it ends up with the same value, but I haven't seen double-dotted notes anywhere else.
When the bass part finally starts in "Big Wheels," every other measure has the same rhythm as that in the bass part in "Steppin' Out." The phrase also alternates between fourths, although here it's a semi-tone higher:
(click here for a larger image)
"Birmingham Blues"
Near the beginning, there's the line "Yeah, I've been rollin' like a stone," which recalls "Like a rollin' stone" in "Steppin' Out."---
Both of those last two things make the album more coherent.
